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Grantee
Spotlight:
Women on the Rise!
at the Museum of Contemporary Art, North Miami
With help from funding by Women’s
Fund of Miami-Dade, Women on the Rise!, a project at the Museum
of Contemporary Art in North Miami, is boosting the self-esteem
of over 600 at-risk, teenage girls in Miami-Dade County every
year. Through workshops in contemporary art, art history, and
creative writing, the program presents contemporary female
artists as positive role models for the girls. The program also
includes field trips to view exhibitions that feature women
artists and explores sensitive themes like body-image, ethnic
heritage and identity.
As the only gender-specific
grant-making organization in Miami-Dade County, Women’s Fund
provides funding to programs like Women on the Rise! that serve
the urgent and growing needs of women and girls by developing
critical thinking skills, examining stereotypes and encouraging
social change.
One artist who has made a major
impact on Women on the Rise! participants is Cuban artist Ana
Mendieta. During her time in foster care, she suffered abuse
from foster families. Her art inspires many of the girls to deal
with their pain – often for the first time – through art.
“The girls come with this idea that
art has no relationship to their lives. When they come into
contact with an artist like Mendieta, it really empowers them,”
explains the program’s coordinator, Jillian Hernandez.
MOCA's innovative outreach program
helps girls from the Gladstone Center for Girls, Girls Advocacy
Project (GAP) at the Miami-Dade Juvenile Detention Center, the
Village residential drug treatment center, COPE Center North,
Thelma Gibson Health Initiative, and seven other partner
programs.
“There is one girl who participated
at three different places and now has a very sophisticated
understanding of contemporary art,” Hernandez says. “There’s
also a girl who didn’t want to participate at first, but later
motivated other girls to get into it.”
Word has spread about the
effectiveness of Women on the Rise! and Hernandez frequently
fields calls from social service and arts professionals around
the country who are looking for ideas to integrate into their
programming. “This curriculum prompts instant discussion,”
explains Hernandez. “One woman in Philadelphia used some of the
lessons in her work with the homeless population.”
The program was featured on the
cover of The New York Times Arts & Leisure section in 2006 and
recently, Atlanta’s High Museum of Art expressed interest in
starting a similar project.
“It has taken on its own life. I
hope to see this program everywhere,” she says.
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